Codes and conventions of the short film form
Winning Marge
http://randomacts.channel4.com/post/174430235286/winning-marge-max-lincoln-its-sophie-and-garys
British Summer Time
http://randomacts.channel4.com/post/174626796866/british-summer-time-jonathan-hughes-jonathan
Dream in Colours
http://randomacts.channel4.com/post/174465078431/dream-in-colours-oliver-griffin-teenagers
http://randomacts.channel4.com/post/174430235286/winning-marge-max-lincoln-its-sophie-and-garys
- Few characters
- Three Act narrative
- Dreary and muted colours in first 2 acts but brighter and bolder colour palette in final act
- Mostly medium shots
- Shallow focus
- Only 3 settings
- Mix of subjective and objective
British Summer Time
http://randomacts.channel4.com/post/174626796866/british-summer-time-jonathan-hughes-jonathan
- Lots of close-ups - mostly eyes, mouth and hair
- Not really any long shots
- Subjective
- Dull dreary colour scheme reflects dark undertone
- Fewer characters and limited script
- Only one setting
- Three Act narrative
- Sound decreased obviously when the main sees the woman kissing her boyfriend and then turns right back up again afterwards so that it is now louder than before and disorientating
Dream in Colours
http://randomacts.channel4.com/post/174465078431/dream-in-colours-oliver-griffin-teenagers
- Close-ups
- Contrast between the two sounds of the music and the street sounds
- Limited script
- Shallow focus
- 3 Act narrative
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